The Breakthrough Development of 18th Century Paintings

In fact, it was the gradual breakthrough development of 18th century painting in the color and shape that created the conditions for the birth of the 19th century Impressionist paintings. From the 15th century to the 17th century, what artists were concerned about was how to unite the color in the works with spiritual theme, and pursue an ideal harmonious color.

In the 18th century, artists began to recognize that even the colors of the real world were not always in perfect harmony, artists could create harmony in disharmony. In the 19th century, artists began to appreciate the essence of the higher level spirit of the Aristotelian aesthetics and know art was not a perfect reproduction of reality, because the buy paintings online belonged to the feelings of the human spiritual aspects of life, therefore, it should be emotional rather than purely rational.

In later posts, let's talk about Fernando Botero reproductions.

The Beginning of Color Theories

Color theories create a logical structure for color. For example, if we have an assortment of fruits and vegetables, we can organize them by color and place them on a circle that shows the colors in relation to each other.

Joshua Reynolds (1723 to 1792) was a well known figure in the history of western painting, and the most famous classical painter in Britain and the founder and lifelong dean of the Royal College of Art. Meanwhile, he persistently insisted on the color theory of the Renaissance and actively practiced it. He made a lot of refinement and interpretation of Renaissance painting theory.

In the same period, another famous British classical painter Thomas Gainsborough (1727 to 1788) was an artist filled with the spirit of rebellion, who challenged traditional color theory by using his own works. In his "The Blue Boy" and "A Woman In Blue Portrait Of The Duchess Of Beaufort", blue and purple took the dominant position and cool colors were used in a large space.